Tuesday, October 27, 2009

Pepe The King Prawn-stuffed Animals

Tante Hortense - Revista Do Samba to Embu (Souvenir)

The first phase of the project Aunt Hortense - Revista Do Samba is closed.

Back from Brazil, I can not help but put this video filmed by Christopher.

One of the few moments in Embu where we were not in the rush but where each stroke of work in his corner.

ago Stéphane looking after "Landscape", our cook prepares us for a massacre, his boss Eddy cavaco (for "The Cow"?), Leticia seeking lyrics (for "Rio of January"?) Vitor and we give Mr. Jo and myself during a pandeiro.




The first part of the project Tante Hortense - Revista do Samba is now closed.
Back from Brazil, I can not share this video filmed by Christophe.
One of the few moments in Embu where we were not running, but where each worked in his corner.
Has Stéphane seeking continuation of "Paysage" Patricia cooking a dish of insanity, Eddy the rehearsals that the chip (for 'la Vache "?), Leticia looking letters (for" Rio de Janvier'?) And Victor giving a lesson to the tambourine and I MJO.

Sunday, October 18, 2009

Barbie Party Templates

Juquehy

Dernieres Les photos avant d'Irene et Stéphane their return. There is even a little. Maybe one or two posts to come on impressions after the event, or the mix of the album.
If you are sensitive, to listen with the sublime Morena Do Mar, Dorival Caymmi, sobs guaranteed.
Beijos, Christophe



With precious Helio, which we filmed throughout the stay.
; Vidéos the suivre ...







The last pictures of Irene and Stéphane before the return. We still feel there. Maybe one or two posts will come with the prints after the event, or the mixing of the album. If you are sensitive, is to listen while the sublime Morena of the sea, Dorival Caymmi, I guarantee you will cry.
Kisses, Christophe


Monday, October 12, 2009

Black Woman Strangle A Man

reprendrez Vous en bien un peu?

Well, we came back, Ed, JP, and bibi. MJO returned last Friday after the last day of studio. General twinge and it smells like home. Walk, taxi, walking, plane, waiting, walk, train, walk, taxi, walking. 15h/16h of journey for me, a little more for them to Marseilles. In addition we obviously wanted to take advantage of two, three days there, the accumulated fatigue. Anyway we had already thought that São Paulo is so huge, the pace is so different here, a solution was to stop sleeping.
Well, Stephen and Irene is still there for a week. We will still make a few winks on the blog. Jp said the film studio Paulo. Today a small rab of Oficina, which has played such an important role in our living / project.
Até but ...


Zé Celso at Oficina during the piece on Cacilda baker


Marcelo Drummond








CR


Okay, back, Ed, JP and me. Mjo again Friday, after the last day in the studio. A little pain in the chest, so it smells like. Walk, taxi, walk, plane, hopefully, subway, walk, taxi, walk. 15-16h journey for me, a little more for them until Maselha. And, of course, wanted to enjoy the last days there, the tiredness accumulated. Anyway, we had already decided that as St. Paul is so immense, so the pace different, the only solution was to go without sleep.
Well, Stéphane and Irene are still one week. We will continue to appear on this blog. JP put a film in the studio of Paul. Today, a little more of that workshop was just as important in our time / project.
you ...

Sunday, October 11, 2009

How To Tell Cold Sore Or Impetigo

Merci Paulo Lepetit

New Born Baby Wishes Greetings

12.28 La fête d'

Putain on rater l `avion va!

Thursday, October 8, 2009

Jesse Jane ()streaming

Shop Berlin



C'était une fête
. On a joué deux heures plus or. Environ 130 personnes. it was something to see people in front of the stage, then upright on the scaffolding, bleachers. It has received decorations of the room and Ze Marcelo who plays currently in Oficina. Either a round track in front of the stage, and a three-level podium blue white light at the end of the theater. We dug a bit in the closet of the company. Stephane was superb tuxedo thongs-hat-fifties. Cassandra camerawoman the company came to lend a hand to Irene to film. Their images were projected simultaneously on different screens placed around the theater.


We started playing seven or eight pieces of our shared directory, in this immense space, with our mouths broadcast on screen, MTV tropical atmosphere. A moving version of My Beautiful Lover Berry, and a total Piroca crooner with Stef who played in the theater with the ease of the great evening.


was then invited to sing with us Zé.

was like a hole in space-time in the cosmos. He wanted to sing the Brazilian version of J'attendrai Jean Sablon, I was assured it was the same structure as the French version.

It was not the case.

Here we are on the watch scene, Zé we faced on the track and we made signs, request three times to change his tone and said stop and plays solo piano in a free version Super-style, like a rickety blues of John Lee Hooker. It's more of an entire concert is still the scene but in another dimension. Either. We pulled himself together with the next song, the text of Stephane Harvesting and Threshing , he declaimed with Zé our improvisations, with Leticia and Vitor have included the public. We were in a strange sort of collective machine. A trance sometimes laborious, sometimes brilliant, and the voice of Zé, founder of the Brazilian theater, which resonates in his place at his home here in São Paulo.


Then a mini-set from Aunt Hortense, fading to a mini set of Revista Do Samba. The public, voluntary and curious, begins to be hot. At this point, we begin the Rio samba of January (which is on the disc), I said in my wobbly as Portuguese blues by John Lee Hooker was going to make a visual simultaneous translation of the song. While the band plays, MJO and I are stationed on the catwalk to make a stupid dance samba based tourist and abused mimes who followed the events of the song. It occupied at that time the entire space, and it was like a signal to party, people started to join us for dancing, and bitching when the song finally ended. Once the public standing, we played the last two songs provided, and Cow Revolution, in a festive atmosphere. atomized Eddy cavaco its two strings, which added to the original arrangement of riffs Ligeti's best effect. Obviously, you can not stop there, the concert was a bit stretched, the guests paraded on stage for another forty minutes. The Brazilian Beto, Vitor, and Leticia take people know perfectly well, public reporting is necessarily very different from what we know in France. I will try to return in a future post.
Quelle soirée
nom de Dieu.
Aujourd'hui, nous sommes dans le nouveau studio with Paul, une dernière fois, pour qu'on doit overdubs Terminer les faire absolument ici. Quelle class ce Paulo. Mjo demain sets out again, Eddy, et moi dimanche Jeanfi, Stéphane dans une semaine et Irène. ça sent la fin. On vannes est, c'est une fatigue agréable, la pression s'est dissipée gentiment.
Plus de photos a venir.
Kisses.

CR


was a party. We played two hours or more. Some 130 people. It was strong to see the people in front of the stage and vertical scaffolding in banks. We enjoy the decoration of the part Joe and Marcelo have these days in the workshop. That is a track round to the front stage and a podium with three levels of blue-white-red background in the theater. We stole a little of the clothing company. Stéphane suit was perfect hat-slipper-fifties. Cassandra, who films the company, came to help Irene to record the show. Their images were projected simultaneously on different screens placed in the four corners of the theater.
started with seven or eight songs from the common repertoire, this huge space, with our guys relayed on screens, like MTV tropical. Moving version of "Mon bel amant du Berry 'and' prick 'Crooner with a total Stephane evolving into the theater with the ease of the big day. And we invite

Ze singing with us.

was like a hole in Spacio-temporal cosmos. He wanted to sing the Brazilian version of "J'attendrai" by Jean Sablon. I had been told that it was the same structure as the French version.

was not the case.

We are all prepared on stage, Ze is opposite us on the floor and make signs, asking to change color three times, then asks you to stop and play the piano alone in an amazing version of free style, like a blues sputtering John Lee Hooker. There is another show, it's still show but in another dimension. OK. Regrouped with the next song, the text of Stéphane 'Moissonner et BATTRE', he declaimed with Joe on our improvisations that, thanks to Leticia and wins, including the public. We were a strange sort of collective machine. A trance sometimes laborious, sometimes breathtaking, and the voice of Joe, founder of the Brazilian theater, which resonates in your home, here in São Paulo.

Then a small set of Tante Hortense, followed by a small set of Revista do Samba. The public, voluntary and curious, is getting hot. At this point, we started the samba "Rio de Janvier" (which will be disk), I clarify with my Portuguese as a vacillating blues of John Lee Hooker that we do a visual simultaneous translation of the song. As the band plays, and I stayed in Mjo podiums to make a fool choreography based on samba for tourists and abused imitations that followed the events of the song. At this point, we occupied all the space and it was like a sign that marked the beginning of the feast, the crowd started to come down to dance with us, and groaning when the song finally ended. A public avez stopped, we played the last two songs provided, "La Vache" and "La Revolution" in a festive atmosphere. Eddy ended with two strings of its chips, which added to the initial arrangement of some riffs Ligeti perfect. Of course it was impossible to finish well, the show is stretched a little, the guests paraded on stage for about forty minutes. Brazilians Beto, Victor and Leticia knew very well how to lead people, the relationship with the public is necessarily very different from what we know in France. I will try to talk about this in a future post.
Wow, what a night.
Today we are again in the studio of Paul, one last time to finish the overdubs that we absolutely must do here. That Paul is top notch. Mjo go away tomorrow. Eddy, Jean-Phi and I on Sunday, Stephane Irene and hence a semana. O fim is approximately. Cansadissimos estamos, mas é um cansaço Gostoso, a pressão aos poucos desvaneceu. But
fotos em breve.
Beijos.

Saturday, October 3, 2009

Toys R Us And Doll Strollers And Canada



The concert went well ... it was not crowded at Berlin, but still enough people interested and intrigued to do a concert ... we made a set of 50 min rather energetic, with List in the middle to calm the game was a bit strange to get together with us to a concert, after three weeks with Revista do Samba we felt it lacked many things at once. We made versions well barred Revolution and Earth and Uma Piroca made his little effect. A Brazilian has told us that the texts were quite explicit in Brazil present in the funk, but rarely in a song. Stéphane, who had just returned from France assured.
Tomorrow we take the studio, last week will pass quickly, with lots of things to save, whose song with Zé, Tuesday (hopefully something crazy), plus concert Oficina Wednesday, which looks like a big party, (the last time the Revista played there, it lasted three hours !). On
be sent bien ici aussi toujours, même la France itself to commence nous manquer.
Dernière ligne droite
.

CR


The show was very good ... The Berlin was not full, but was curious and intrigued us enough to do a show ... We made a set of 50 minutes, very energetic, with the song La Liste give way to a calmed. It was strange to be alone in, Tante Hortense, doing a show after three weeks with the Journal. We had the impression that suddenly lacked many things. We pretty crazy versions of La Révolution and La Terre, a prick and it worked well. A Brazilian told us Explicit texts that were very present in the funk, but rarely in songs 'traditional'. Stephane, who had just returned from France, was great.
Tomorrow we return to the studio last week will go flying, with many things to record - including the song with Joe, on Tuesday (hopefully that'll be something crazy that), plus the show at the Workshop on Wednesday, what should be a great party (the last time that the magazine played down there, lasted three hours!).

We still feel very comfortable here, even if we begin to feel homesick for France. Last
straight.