Tuesday, October 27, 2009

Pepe The King Prawn-stuffed Animals

Tante Hortense - Revista Do Samba to Embu (Souvenir)

The first phase of the project Aunt Hortense - Revista Do Samba is closed.

Back from Brazil, I can not help but put this video filmed by Christopher.

One of the few moments in Embu where we were not in the rush but where each stroke of work in his corner.

ago Stéphane looking after "Landscape", our cook prepares us for a massacre, his boss Eddy cavaco (for "The Cow"?), Leticia seeking lyrics (for "Rio of January"?) Vitor and we give Mr. Jo and myself during a pandeiro.




The first part of the project Tante Hortense - Revista do Samba is now closed.
Back from Brazil, I can not share this video filmed by Christophe.
One of the few moments in Embu where we were not running, but where each worked in his corner.
Has Stéphane seeking continuation of "Paysage" Patricia cooking a dish of insanity, Eddy the rehearsals that the chip (for 'la Vache "?), Leticia looking letters (for" Rio de Janvier'?) And Victor giving a lesson to the tambourine and I MJO.

Sunday, October 18, 2009

Barbie Party Templates

Juquehy

Dernieres Les photos avant d'Irene et Stéphane their return. There is even a little. Maybe one or two posts to come on impressions after the event, or the mix of the album.
If you are sensitive, to listen with the sublime Morena Do Mar, Dorival Caymmi, sobs guaranteed.
Beijos, Christophe



With precious Helio, which we filmed throughout the stay.
; Vidéos the suivre ...







The last pictures of Irene and Stéphane before the return. We still feel there. Maybe one or two posts will come with the prints after the event, or the mixing of the album. If you are sensitive, is to listen while the sublime Morena of the sea, Dorival Caymmi, I guarantee you will cry.
Kisses, Christophe


Monday, October 12, 2009

Black Woman Strangle A Man

reprendrez Vous en bien un peu?

Well, we came back, Ed, JP, and bibi. MJO returned last Friday after the last day of studio. General twinge and it smells like home. Walk, taxi, walking, plane, waiting, walk, train, walk, taxi, walking. 15h/16h of journey for me, a little more for them to Marseilles. In addition we obviously wanted to take advantage of two, three days there, the accumulated fatigue. Anyway we had already thought that São Paulo is so huge, the pace is so different here, a solution was to stop sleeping.
Well, Stephen and Irene is still there for a week. We will still make a few winks on the blog. Jp said the film studio Paulo. Today a small rab of Oficina, which has played such an important role in our living / project.
Até but ...


Zé Celso at Oficina during the piece on Cacilda baker


Marcelo Drummond








CR


Okay, back, Ed, JP and me. Mjo again Friday, after the last day in the studio. A little pain in the chest, so it smells like. Walk, taxi, walk, plane, hopefully, subway, walk, taxi, walk. 15-16h journey for me, a little more for them until Maselha. And, of course, wanted to enjoy the last days there, the tiredness accumulated. Anyway, we had already decided that as St. Paul is so immense, so the pace different, the only solution was to go without sleep.
Well, Stéphane and Irene are still one week. We will continue to appear on this blog. JP put a film in the studio of Paul. Today, a little more of that workshop was just as important in our time / project.
you ...

Sunday, October 11, 2009

How To Tell Cold Sore Or Impetigo

Merci Paulo Lepetit

New Born Baby Wishes Greetings

12.28 La fête d'

Putain on rater l `avion va!

Thursday, October 8, 2009

Jesse Jane ()streaming

Shop Berlin



C'était une fête
. On a joué deux heures plus or. Environ 130 personnes. it was something to see people in front of the stage, then upright on the scaffolding, bleachers. It has received decorations of the room and Ze Marcelo who plays currently in Oficina. Either a round track in front of the stage, and a three-level podium blue white light at the end of the theater. We dug a bit in the closet of the company. Stephane was superb tuxedo thongs-hat-fifties. Cassandra camerawoman the company came to lend a hand to Irene to film. Their images were projected simultaneously on different screens placed around the theater.


We started playing seven or eight pieces of our shared directory, in this immense space, with our mouths broadcast on screen, MTV tropical atmosphere. A moving version of My Beautiful Lover Berry, and a total Piroca crooner with Stef who played in the theater with the ease of the great evening.


was then invited to sing with us Zé.

was like a hole in space-time in the cosmos. He wanted to sing the Brazilian version of J'attendrai Jean Sablon, I was assured it was the same structure as the French version.

It was not the case.

Here we are on the watch scene, Zé we faced on the track and we made signs, request three times to change his tone and said stop and plays solo piano in a free version Super-style, like a rickety blues of John Lee Hooker. It's more of an entire concert is still the scene but in another dimension. Either. We pulled himself together with the next song, the text of Stephane Harvesting and Threshing , he declaimed with Zé our improvisations, with Leticia and Vitor have included the public. We were in a strange sort of collective machine. A trance sometimes laborious, sometimes brilliant, and the voice of Zé, founder of the Brazilian theater, which resonates in his place at his home here in São Paulo.


Then a mini-set from Aunt Hortense, fading to a mini set of Revista Do Samba. The public, voluntary and curious, begins to be hot. At this point, we begin the Rio samba of January (which is on the disc), I said in my wobbly as Portuguese blues by John Lee Hooker was going to make a visual simultaneous translation of the song. While the band plays, MJO and I are stationed on the catwalk to make a stupid dance samba based tourist and abused mimes who followed the events of the song. It occupied at that time the entire space, and it was like a signal to party, people started to join us for dancing, and bitching when the song finally ended. Once the public standing, we played the last two songs provided, and Cow Revolution, in a festive atmosphere. atomized Eddy cavaco its two strings, which added to the original arrangement of riffs Ligeti's best effect. Obviously, you can not stop there, the concert was a bit stretched, the guests paraded on stage for another forty minutes. The Brazilian Beto, Vitor, and Leticia take people know perfectly well, public reporting is necessarily very different from what we know in France. I will try to return in a future post.
Quelle soirée
nom de Dieu.
Aujourd'hui, nous sommes dans le nouveau studio with Paul, une dernière fois, pour qu'on doit overdubs Terminer les faire absolument ici. Quelle class ce Paulo. Mjo demain sets out again, Eddy, et moi dimanche Jeanfi, Stéphane dans une semaine et Irène. ça sent la fin. On vannes est, c'est une fatigue agréable, la pression s'est dissipée gentiment.
Plus de photos a venir.
Kisses.

CR


was a party. We played two hours or more. Some 130 people. It was strong to see the people in front of the stage and vertical scaffolding in banks. We enjoy the decoration of the part Joe and Marcelo have these days in the workshop. That is a track round to the front stage and a podium with three levels of blue-white-red background in the theater. We stole a little of the clothing company. Stéphane suit was perfect hat-slipper-fifties. Cassandra, who films the company, came to help Irene to record the show. Their images were projected simultaneously on different screens placed in the four corners of the theater.
started with seven or eight songs from the common repertoire, this huge space, with our guys relayed on screens, like MTV tropical. Moving version of "Mon bel amant du Berry 'and' prick 'Crooner with a total Stephane evolving into the theater with the ease of the big day. And we invite

Ze singing with us.

was like a hole in Spacio-temporal cosmos. He wanted to sing the Brazilian version of "J'attendrai" by Jean Sablon. I had been told that it was the same structure as the French version.

was not the case.

We are all prepared on stage, Ze is opposite us on the floor and make signs, asking to change color three times, then asks you to stop and play the piano alone in an amazing version of free style, like a blues sputtering John Lee Hooker. There is another show, it's still show but in another dimension. OK. Regrouped with the next song, the text of Stéphane 'Moissonner et BATTRE', he declaimed with Joe on our improvisations that, thanks to Leticia and wins, including the public. We were a strange sort of collective machine. A trance sometimes laborious, sometimes breathtaking, and the voice of Joe, founder of the Brazilian theater, which resonates in your home, here in São Paulo.

Then a small set of Tante Hortense, followed by a small set of Revista do Samba. The public, voluntary and curious, is getting hot. At this point, we started the samba "Rio de Janvier" (which will be disk), I clarify with my Portuguese as a vacillating blues of John Lee Hooker that we do a visual simultaneous translation of the song. As the band plays, and I stayed in Mjo podiums to make a fool choreography based on samba for tourists and abused imitations that followed the events of the song. At this point, we occupied all the space and it was like a sign that marked the beginning of the feast, the crowd started to come down to dance with us, and groaning when the song finally ended. A public avez stopped, we played the last two songs provided, "La Vache" and "La Revolution" in a festive atmosphere. Eddy ended with two strings of its chips, which added to the initial arrangement of some riffs Ligeti perfect. Of course it was impossible to finish well, the show is stretched a little, the guests paraded on stage for about forty minutes. Brazilians Beto, Victor and Leticia knew very well how to lead people, the relationship with the public is necessarily very different from what we know in France. I will try to talk about this in a future post.
Wow, what a night.
Today we are again in the studio of Paul, one last time to finish the overdubs that we absolutely must do here. That Paul is top notch. Mjo go away tomorrow. Eddy, Jean-Phi and I on Sunday, Stephane Irene and hence a semana. O fim is approximately. Cansadissimos estamos, mas é um cansaço Gostoso, a pressão aos poucos desvaneceu. But
fotos em breve.
Beijos.

Saturday, October 3, 2009

Toys R Us And Doll Strollers And Canada



The concert went well ... it was not crowded at Berlin, but still enough people interested and intrigued to do a concert ... we made a set of 50 min rather energetic, with List in the middle to calm the game was a bit strange to get together with us to a concert, after three weeks with Revista do Samba we felt it lacked many things at once. We made versions well barred Revolution and Earth and Uma Piroca made his little effect. A Brazilian has told us that the texts were quite explicit in Brazil present in the funk, but rarely in a song. Stéphane, who had just returned from France assured.
Tomorrow we take the studio, last week will pass quickly, with lots of things to save, whose song with Zé, Tuesday (hopefully something crazy), plus concert Oficina Wednesday, which looks like a big party, (the last time the Revista played there, it lasted three hours !). On
be sent bien ici aussi toujours, même la France itself to commence nous manquer.
Dernière ligne droite
.

CR


The show was very good ... The Berlin was not full, but was curious and intrigued us enough to do a show ... We made a set of 50 minutes, very energetic, with the song La Liste give way to a calmed. It was strange to be alone in, Tante Hortense, doing a show after three weeks with the Journal. We had the impression that suddenly lacked many things. We pretty crazy versions of La Révolution and La Terre, a prick and it worked well. A Brazilian told us Explicit texts that were very present in the funk, but rarely in songs 'traditional'. Stephane, who had just returned from France, was great.
Tomorrow we return to the studio last week will go flying, with many things to record - including the song with Joe, on Tuesday (hopefully that'll be something crazy that), plus the show at the Workshop on Wednesday, what should be a great party (the last time that the magazine played down there, lasted three hours!).

We still feel very comfortable here, even if we begin to feel homesick for France. Last
straight.

Monday, September 28, 2009

Sew Leather Couch Ripped

Vacances Itamambuca





Good. We spend five days in a designer house of your dreams, while galvanized steel sliding doors in exotic wood. It has Itamambuca, close to Urutuba on the road Puruba. This is a subdivision of posadas in the sea, three hours drive from Sao Paulo. The beach paradise, is ... fifty yards from the living room ...



It is there with Maria, our new cook, who made us a delicious feijoada today. In short, we only had to worry about the time that we will at the beach, and if we play ping-pong at once or not.




should prepare a little concert Friday at the Berlin club. We must also make a schedule for the last week in the studio. Everything's already too fast.





Beijos.

CR


Bom. Cinco dias Ficamos numa casa de arquiteto that Output appears in a dream, made of galvanized metal and exotic wood sliding walls. The beach, worthy of paradise, is fifty meters ... ...
We are here with Mary, our new cook, who made today a delicious feijoada. That is our only concerns are that the hours that go to the beach and also to prepare a little show of the sixth club in Berlin. Last thing, we must provide for the organization of last week's studio.
Quiet.
Kisses.

Maternity Leave And Tdi

the Symposium



Tenter une description du Banquet Platon monté par Ze Celso reviendrait explain the tenter d'un pygmee to Star Wars. Je ne pas m'y essaierai. Théâtre et grandiose total.

CR


Describe Feast of Platon mounted by Zé Celso would like to explain Star Wars to a pygmy. I will not even try. Theatre and grand total.

How Long Before A Frozen Wart Falls Off

The Band

Income Tax I Live In Quebec But Work In Ontario

En studio avec Paulo Lepetit











CR

Saturday, September 26, 2009

Sony Dvp-sr200p Can't Unlock

Sao Paulo, tricot Sans peau



So it's been three weeks. it looks like three months. Is it that if you multiply this kind of project you end up living two or three times longer?
Stéphane restarts this afternoon to Paris to promote the dearest. Vitor went to Germany. So, we have a week off (we will prepare Following the studio anyway, but it will). One starts at the seaside on Sunday in a house, then a detour to Rio.
was large databases of nine pieces. French, Portuguese, duets, very danceable music, others calm. There is still much work he must do the voices, choirs, re-re of cavacos and guitars. There are six songs we had planned, we would like to make at least two, including one with Ze vocals. And only six days of the studio. We'll see what it's going to give, which is successful in any case is to have generated as much music in so little time. everyone contributed to the compositions, arrangements, despite the difficulties of language, our cultures, and time. The emergency works on two levels, it is stimulating and brings out unexpected things, and at the same time it causes frustration with the impression that lack of time to explore all avenues. Printing?
Yesterday evening we found "our" place, Berlin, an alternative club located in a wasteland. A few roots, tagged walls, wildlife alter or trendy, good bands. Good atmosphere. It is played on October 2, just us, Aunt Hortense.
I do not know if we will have access to the Internet this week. See you later.


CR


Three weeks. Appear three months. Does multiplying such projects are just living two or three times longer? Stéphane
leave today for Paris, will make the promotion of plus cher. Victor left for Germany. That is we have a week off (let's prepare the second studio session, but nothing else). Sunday going to the beach, a house, and then we'll just pass by Rio
We have the foundations of nine songs. French, Portuguese, duos, some very danceable, and other calm. We still have much work we have to do the voices, backing vocals, the re-re of ukulele and guitar. It has six songs more planned, we would make at least two, including one with Joe singing. And so we have six days in the studio. We'll see what happens, but what worked was to create at least as much music in so little time. Everyone contributed in the compositions, arrangements, in spite of difficulties with the language, culture, lack of time. The urgent works on two levels: it stimulates and stirs things unforeseen, and at the same time causes frustration with the impression that not enough time to explore all the clues. Printing?
Yesterday we found 'our' place, Berlin, an alternative club located in a half abandoned. And roots, walls with graffiti, fauna or alter na moda, música boa. Boa onda. Tocamos there no Outubro 2, our social, bone Aunt Hortense. Não sei

is teremos acesso internet essa semana. Até but.

Wednesday, September 23, 2009

Who Is Tiffany Granath Married Too.

Day Off 2




Today
rest. it was fortunate for those of us who came out last night ... Matthew (who co-directs Gaia Discos here) took us, M-Jo, Eddy and me in a pub crawl in good standing of Rua Augusta (the street that goes right here in downtown), the more trendy than suspicious. We made some progress in Portuguese. Thanks with cachaça (I recommend the Salina). So today's the day went very fast ... Tomorrow we return to the studio for one last day before the departure of Stephen. It was folded seven pieces, we hope to do two tomorrow. The sound engineer, Paulo, who produced among others Tom Zé is perfect, discreet and very efficient. Catch its deadly.
It was still around a little to 17h today, and we can not adjust the size of São Paulo. We are always lost, even the taxi does not always know the road, and it seems that people, rather than admit he does not know the address you want, you say something anyway, which complicates things. This does not prevent most Paulistas are happy to assist you in the right mood.
It is still housed in the family of Irene, Jean-Phi, M-Jo, Eddy on one side, Stéphane and me to his uncle, Zé, and Marcelo, always happy to drink a Cotes du Rhone with us and talk about painting, Brazilian music, or the situation of the country.
Getting ready to go see Zombie Zombie just now playing in ...
Rua Augusta.
Good ...

CR

Today, rest. Thankfully for some of us went out last night ... The Matthieu (who co-directed the Gaia Discs) led us, M-Jo, Eddy and I, in a ballad by Augusta Street (street legal center), the hottest place to more weird. Our Portuguese certainly improved a lot. Our thanks go to the rum (I recommend Salina). Consequently, the day passed very fast ... Tomorrow we return to the studio, the last day before the departure of Stéphane. We just seven songs, we hope to do two more tomorrow. The Paul, which makes the sound, produced the Tom Zé, among others, and it's great, discreet and effective. Outlets are bacanérrimas. Finally strolled
a little bit today, from 17h, and we really could not fit the dimensions of. We are always lost, even the taxi drivers do not always know which way to go, and it seems that people prefer to give a wrong direction instead of talking do not know the address you are looking for, which makes things a lot. But instead, the vast majority of São Paulo to try to help the greater good will and good humor.
We're still staying in the family of Irene, Jean-Phi, M-Jo, Eddy on one side, Stéphane and me in the house of his uncle, Joe, and Marcelo, always willing to take a glass of Côtes du Rhône with us and talking about painting, music brasileira, or do país sobre a Situação. Estamos preparando para
our assistir o show do Zombie-Zombie toca daqui a um momento na Rua Augusta ...
.
Bom ...

Tuesday, September 22, 2009

Difference Between Extract And Concentrate

Concert to Tiradentes



Saturday was our first scene together. Pressure rises. A small festival held to celebrate the construction of a future cultural center in Cidade Tiradentes, a district of São Paulo consist of flats and slums. It was folded in Embu stuff to go directly there in a van filled to the brim, about two hours away. It was driven into the neighborhood for a quarter of an hour, crossing over more and more poor, to the place of the concert.









We do not were leading off while being excited. Unloading the truck, we were gently assailed by all the neighborhood kids, curious to see the French. It was incessant but in a good mood. Children eight years we were asking for cigarettes, others asked to Eddy or where we came from Stephane. It was crazy to move in such a place, in such an atmosphere. It was believed paranoid but when we saw Vitor keep his shoulder bag to play, we felt we had reason to be very careful. The sound on stage was terrible, no one heard, it was played at sight, but it was Kiff. One of the best moments was when we played Uma Piroca no Pulso (need I translate?) Before the public far more intrigued, began to hallucinate like us.





Since Sunday it is installed in a studio big enough, very nice in the suburbs, to catch live. It currently has six pieces in a box (without the voice and fine detail ...). It ends here Thursday. After a short holiday week - it'll be three weeks non-stop that pulls on the rope - while Stephen returned to Paris to Le Pont des Artistes. Then back to another studio - even in the same - early October. A concert Aunt Hortense is seated in Berlin Box trendy Barra Funda October 2, play in the Oficina 7.
We are tired, we jabbers in three languages, we have more sense of time (that's two months that there is not), we laugh as Zouaves moindre au jeu de mot approximatif, et en même temps les deux groupes sont plus proche, on est plus efficace, on the conscience du plaisir et de la chance d'être ici.

CR




Saturday was our first show together. The pressure is rising. It was a small festival organized to celebrate the construction of a future cultural center in Cidade Tiradentes, a district of São Paulo made housing and slums. We boarded the material from Embu to go directly there, to a two-hour drive in a van cheissima. We are entering the area for about fifteen minutes, crossing places increasingly poor, to the place of the show. We were worried but
thrilled. While we took the instruments in the van, we were surrounded by gently neighborhood children, curious at seeing the French. They would not stop, but always humorous. Children 8 years have asked us about cigarettes, others asked for Stéphane's Eddy or where they came. It was crazy to settle in a place like this, in such an environment. We think too paranoid but when we saw that Victor was with his pocket as he played, we think it best to be cautious. The sound on stage was terrible, we do not hear, touch without really knowing what we were doing but it was great. One of the best moments happened when we play a prick on the wrist (I translate?) in front of an audience of curious, now be so paranoid about people.

Since Sunday we are in a studio and large, very warm, in Butantã taken to record live. We have six songs for now (without the voices and details). We finish by Thursday. Then we have a week off - it's been three weeks since we stopped - while Stéphane back to Paris to attend the radio show Le Pont des artistes. After going to another studio - or perhaps we will be the same - in early October. A show of Tante Hortense is planned in Berlin, trendy club Barra Funda, in the October 2, and played the Workshop on the 7th.

We are tired, we mix three languages, we lose all track of time (we've been here two months, right?), Laughed like beasts to approximate any pun, and at the same time, both bands come together, we are more effective, we awareness of pleasure and the luck that we have to be here.

Monday, September 21, 2009

Abnormal Pap Smeartampon Use

Embu





Nous revoila. On a passé la semaine to Embu, dans une maison à la campagne (enfin campagne ... Brazilian version, based on mango and toucans) to work on new songs. It was the kind Os Novos Bahianos trip, installed in the lounge in the garden in the shed, supported by our cook saving Patricia. Intense week since all together in one place, enhanced by the arrival of Leticia, who had in his luggage the music for a text Stephane My Bel Amant Du Berry . It was almost crying listening to him sing this. From there, a lot of new songs and a lot of work, eight, or in small groups scattered to the four corners of the house.










Add to that the tireless and valuable Juliette continued its substantive work of canvassing and promotion (a little more upcoming events), Helio, which we filmed, and Maria, the daughter of Vitor passing us from time to time, the house was rather lively, life without respite . We went a little into detail, tense days of the studio by approaching and the first concert in Tiradentes, in the middle of the favelas (see future posts). It has not touched the pool but we tasted the local cachaça (see future posts).






Finally, fifteen songs considered. We are currently in the studio, a suburb of Sao Paulo (that's two days it remains unclear how to get there ... the idea is to find the right bus on 3 or 4 000 running through the city ... ), it struggles to save most things, donc peu temps pour ce blog entertainment. Je crois that Leticia va prendre le relais. Je vous laisse, j'ai un solo to the faire.

CR



We came back. We this week in Embu, an inn in the countryside (well, ... in the field version, with hoses and toucans!) To rehearse the new songs. It was a trip through New Bahians, installed in the lounge in the garden in the shed, supported by Patricia savior who cooked for us. The week was dense because we were all in the same place, and Leticia came bearing a song in their bags for the text Mon bel amant du Berry that Stéphane had written. Almost cried listening to her sing it. Thereafter, many new songs, and much work all together or in small groups installed in the four corners of the house.
Adding to that all the valuable and energetic Juliette which continued its substantial work for the production and promotion (some more shows are on the front), we filmed Helio and Maria, the daughter of Victor, who spent every once in a while house was very full of life, life without rest. We went over the details, because of the tense days of recording and the first show in Cidade Tiradentes, in the suburbs, who approached (see the next posts). We could not get into the pool but we experience the local rum (see the next posts).
After all, some fifteen songs to come. We are in the studio these days, in Butantã (there are two days and still not understand how to get down there ... The idea is to find the correct bus between 3 or 4,000 through the city ...), we are scraping to save as much as possible, ie we have little time to fuel this blog. I think Leticia will continue. I gotta go, I have to do a solo.

La première étape